Showing posts with label Paul Smith. Show all posts
Showing posts with label Paul Smith. Show all posts

1.21.2014

Paris Men's Fashion Week Fall/Winter 2014

Umit Benan, designer for his namesake label, protesting against racism

The deeper meanings behind what is presented by most fashion designers the world over are sometimes, or even most of the time, overshadowed by people's preference to disseminating what they'd like to wear and what seems weird and unattractive from that collection based on superficial reasons. Fads come and go within trends of fashion, but clothing is also a self-expression of yourself and what you believe no matter what is seen as vogue, and quite a few designers in the Parisian scene have done so throughout their Autumn/Winter 2014 collections. Besides this, designers have decided to tweak their aesthetic in interest of diversifying - an interesting accompaniment to the messages conveyed.

The Raf Simons "Fathers" jumper, aimed at America's powerful influence today


Raf Simons was the first designer to present a protesting collection, blatantly obvious that what was in question was America's reign of supremacy. In collaboration with artist Sterling Ruby, the pair presented a runway decorated with stars and stripes banners tied clumsily, and clothing baring pop culture symbols, surface images of the Moon defaced with fabric swatches and the word "Fathers" slapped mockingly throughout. It seems as though Raf is making clear how ridiculous it is that most people praise what America offers and not what their own culture does, and in essence, this collection is also mocking those who leave their homeland to pursue "The American Dream", whatever that is to that person. The combination of his expertly tailored garments with derisive symbols and words are true Raf Simons, but this time a more political stance has been taken.


Rick Owens' signature leather shoes

Rick Owens decided to show an appreciation towards traditional Middle-Eastern culture and acceleration of the unisex fashion movement that he propelled forward at the beginning of the 21st Century. Models wore headdresses reflective of the Hijab (or even Hindi or Christian religious headwear), a gender-bending element that is contrary to the fact that these are men, and possibly a stab at beautifying this cultural headwear that has stupidly offended narrow-minded people who believe that this is a sign of a terrorist. To finish off the looks, the men wore high knee leather shoes that are masculine, despite the common association of this style to women's fashion. Cutting gender stereotypes in fashion is tough, and sometimes is an acquired taste, I mean, look at J.W. Anderson's menswear collections. But, Rick has pulled this off with consideration of the fact that masculinity overshadowing femininity is more appealing to the mass. With an already complex vision that Mr. Owens holds, a collection that manages to reflect what men's fashion is nowadays - against the norm - is just what many fashion enthusiasts would've expected from this designer.

Paul Smith used Middle Eastern patterns throughout his collection


 Another designer that expressed their fascination with Middle Eastern culture is the kooky Paul Smith. Popular amongst young fashion conscious men who don a highly tailored but want comical elements throughout, the British designer has merged this identifiable design ethos with patterns derived from Kilim and Turkish rugs. Paul's signature eccentricities are also apparent, with a pieces of footwear and panelled garments featuring iridescent sequins. This collection is a incredibly reminiscent of Kenzo Takada's work - a mixture of iconic cultural pieces to celebrate multiculturalism and racial acceptance.

Thom Browne makeup

Issey Miyake's psychedelic patterns

Two designers that always stand out amongst the Paris scene are Thom Browne and Issey Miyake - the first consistently showing artwear collections that prove avant-garde is not limited to Haute Couture and womenswear, and the latter effortlessly executing minimalism with stylishly outrageous detailing. For Fall/Winter 2014, the two have somehow bounced off each other unknowingly, with pieces within their collections representing the modern hippy. The regained fascination with nature and its wonders in health, which has sparked the movement of veganism, is shown through Thom's ethereal florals and makeup. The visual culture that is associated with vegan, hippy and new age beliefs is seen in Issey Miyake - with a surprisingly more psychedelic collection than previous ones. 


Givenchy fashion show finale

View the complete collections on www.fashionising.com or www.style.com

Images courtesy of Fashionising and Style.com

5.03.2013

Condé Nast's new College of Fashion & Design


Condé Nast manages some of the world's leading fashion publications, and their most well-known title, Vogue, has opened the doors of their College of Fashion & Design. The London college has been praised worldwide by Editors and Fashion Bloggers alike, and no wonder, as this opens up many opportunities for fashion focused people to be taught by comrades of the Fashion Bible. Industry greats such as British designer, Sir Paul Smith, is one of the many mentors to lend his knowledge of the fashion world to students.


What's interesting about the college is that it is just up the road from one of the world's most prestiguous fashion colleges - Central St. Martins. With alumni from this illustrious college including Stella McCartney, Christopher Kane and the late visionary designer Alexander McQueen, there's a question about what great skilled Designers, Editors, Stylists and the like will come out from Condé Nast. The college is only new, thus offering two courses (more details below), but since Vogue has been experiencing a brand extension, including the Vogue Festival, it's a guarantee that more courses will be on offer in the near future. If you want to know the in's and outs of the fashion world, it's highly recommended that you attend Vogue's first college, it's worth the designer price tag.

For more details on the college and it's courses, please go to www.condenastcollege.co.uk
Images courtesy of The Cut

3.23.2013

Aussie Aussie Aussie! Boys Boys Boys!

Mr. Anton Monsted, Music Producer for Moulin Rouge!, Australia and the upcoming fashion film The Great Gatsby. Anton wears a Dolce & Gabbana suit and shirt by James Perse
 The world's leading online luxury menswear retailer, Mr. Porter, has recently unveiled their favourite Aussie boys, and men, whose style defines who they are and their mark on Australian culture today. Australian men are embracing their inner fashionisto more so than ever, but the unattainable attire seen on international men's fashion icons are simply not appealing to Australian men. Mr. Porter has come to the rescue with their latest issue of The Journal, giving local and needy stylish gentlemen a few blokes to aspire to, not only in style but in their strong mindedness and assurance of themselves, thus also giving Aussie men a boost in their self confidence and inspirational thinking. My favourites from the lucky few men selected for the editorial include Mr. Anton Monsted, Mr. Dane Lovett, Mr. Joseph Allen Shea, Mr. Jamie Valmorbida and Mr. Michael O'Keefe, all pictured below. To view the full editorial, CLICK HERE.

Mr. Dane Lovett, an Artist from Melbourne, wearing J.Crew sweater, Burberry Prorsum jeans and Cutler and Gross sunglasses
Mr. Joseph Allen Shea, a Sydney Curator and Publisher, wearing a blindingly red Paul Smith suit, t-shirt by Jean.Machine and Gucci shoes
Mr. Jamie Valmorbida, Sales Director of Valcorp, wearing a blazer by Ann Demeulemeester, Michael Bastian shirt, J Brand jeans, Lanvin sneakers and Ray-Ban sunglasses 
Mr. Michael O'Keefe, CEO of Aesop skincare, wearing a Boglioli blazer, J.Crew shirt and Paul Smith belt
ALL FASHION AVAILABLE ON MR. PORTER

Photography by Derek Henderson
Styling by Dan May, Style Director of Mr. Porter
To view the editorial shoot, CLICK HERE
Images courtesy of Mr. Porter, The Journal

1.21.2013

Paris Men's Fashion Week, Day 5

The end of the menswear shows means that it's time for me to sort out my budget for my Autumn/Winter wardrobe and to plan when exactly I'm going to be hunting for these trends! To finish off, shows from Melinda Gloss, Chrisopher Lemaire, Agnes B, No Editions, Bernhard Willhelm, Qasimi Homme, Saint Laurent Paris and Thom Browne.

 My favourite collections/shows were from:

Autumn/Winter 2013








The sneaker-suit combo is going to be a trend I will be seeing everywhere this coming Autumn/Winter season, but I have no complaints, I've always loved this combo. Alber Albaz for Lanvin has just reignited by love for this odd pairing of sartorial and sports wear, and the brightly coloured trainers from this collection go well with the minimal shirts, trousers and jackets. Hopefully this look will appeal to men worldwide and give us a break from the now dreary desert boots, boat shoes and loafers which we so often pair with our best clothes.

View the collection HERE

Autumn/Winter 2013









Paul Smith, one of my favourite British designers, has released a collection for men who are truly bold to the bone. Mr. Smith has proposed that colour blocked minimalism is the way to go for the coming season, and the addition of classic patterns such as hound's tooth and art deco geometry may ask us men to step forward and show our fashionably braver selves.

View the collection HERE

All images courtesy of Fashionising

1.24.2012

Day 5 - End of Paris Men's Fashion Week

It's the end of the Menswear FW runway shows for another season!
Paris ended with shows from Songzio, Rynshu, No Editions, Qasimi Homme, Arnys, Bill Tornade, and Agnes B. The main show of the day were AcneThom Browne and Lanvin.

The stand out collection for me was the one and only, Paul Smith, one of my favourite designers.

Paul Smith FW12





Images courtesy of Fashionising

Neon accents were what brought me to love this collection! I think neon colours are hard to incorporate into an outfit without looking tacky, but Paul Smith made the outfits with the neon accents. Something as simple as changing the front panel of a coat neon, replacing the handle of a man bag with neon leather or toning down the brightness with a woody neutral has influenced me to wear daring neon colours this coming season.

Finale, Dior Homme FW12

So it's time to say goodbye to another season of Men's runway shows, and await the day the pieces will be available for us to wear!
Au revoir Paris!