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| The Dior Greenhouse, the set of the label's Spring/Summer 2014 show |
It's time to say goodbye to another busy fashion month, and what a way to do so, with the shocking news that Marc Jacobs will be leaving his position as Creative Director for Louis Vuitton after a 16 year reign of the historical label. Of course, the discreetly artistic show by Chanel, the plastic hat parasols of Chalayan, the surprising turn of aesthetic for Gareth Pugh and Givenchy and the revolutionary, non-conformist sorority style show of Rick Owens topped it off.
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| The "runway warriors" at the Rick Owens show |
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| Marc Jacobs at the finale of his last show for Louis Vuitton |
Despite the abundance of well-known names and labels showing, there seemed to be an unwelcome bleak streak, which may have been cancelled out by the sudden changes within the fashion industry. Three designers stood out to me, simply because of their abilities to show diversity and renewed skills in design...
I still believe Gareth Pugh's Spring/Summer 2013 collection and show is one of the best I have ever seen produced by a designer - it was a collection born from the scorn and ravages one can experience in life... but this time around it seems the darkness has been averted to a welcome change in aesthetic. A softer silhouette is seen throughout the collection, drawing inspiration from both traditional Asian and Mediterranean attire. The usual harsh colour palette of black, grey and red has now been replaced by one with metallic shades of blue, bright hues of green and even luminous gold. Will Mr. Pugh keep with this new found change in his coming collections? I certainly hope so.
Raf SImons has well and truly earned his place as the Creative Director of Dior, and there was a feeling that he has decided to show a darker side to the Dior woman. Raf has managed to keep the undoubtedly sophisticated look of Dior, but has tweaked elements to represent his struggle to enmesh into the label - especially the deceivingly friendly florals. The reflective detail is present in every necklace, bangle, pattern or appliqué, being and/or featuring poisonous flora - poison ivy, wisteria or the romantically dangerous rose. The vividness of the collection is undoubtable, but this discreetly dark addition to the garments is what stands out beyond the silhouette, colours and flawless styling.
The ever-rebellious Riccardo Tisci has decided to take a turn of aesthetic for Givenchy. Riccardo Tisci has made himself known via his outlandish injection of youth culture into the historical label, his selection of prints including rottweilers, dobermans, birds of paradise and the cartoon character Bambi, just to name a few, being his signature. But now, he has gone back to the roots of the label and shown his ability to embody and appropriate the distinct aesthetic that gave Givenchy its fame. Of course, he has not done this without twisting the feminine silhouettes with worldly approaches to draping and overlaying in the dresses, a visual story continued from his menswear collection.
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| Karl Lagerfeld at the finale of the Chanel Spring/Summer 2014 show |
TO VIEW THE COMPLETE COLLECTIONS, HEAD TO FASHIONISING AND NOWFASHION
Images courtesy of Dior, Vancouver Sun, The Business of Fashion and Fashionising
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